Cool to “Machete”
By Kyle | September 2, 2010
Jeffrey Wells (who says it is “very much to my liking” that “Machete” carries a kill-all-the-crackers theme), nevertheless has it about right on the Robert Rodriguez bloodbath (which, if anything, I seem to have enjoyed slightly more than he did):
You’re not a serious director unless you can see, feel or otherwise sense the presence of invisible things. As a director (and probably as a man), Rodriguez has shown an interest and/or focus in the obvious physical stuff. He’s gone “within” exactly once, and that was some 17 or 18 years ago in El Mariachi (and particularly via the performance of Carlos Gallardo). Since then the man has pretty much been a shameless whore….
Machete is one of those sloppy B movies that throws as much gooey stuff at the walls as it can in hopes that some of it will stick. It’s the kind of film that makes the lower-end-of-the-gene-pool guys feel hip, so It’ll probably generate decent word-of-mouth. But the relentless emphasis on blood, sadism, slicing and limb-severing has a nauseating effect, and after a while you just want Machete to end. You feel like taking an Alka-Seltzer after it’s over.
I’m not particularly bothered by fake violence, so I wasn’t nauseated. What’s most important about it is, to me, that it’s often funny. Just as often, though, it really is just a wallow.
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